Some ‘Carrie’ love

So I’ve been supremely excited for Kimberly Peirce’s adaptation of Carrie. I loved Stephen King’s original novel and am really excited to see what she’ll pull out of the bag – and obviously how it will hold up to Brian De Palma’s original film. Plus it has Chloe Moretz – and in my opinion, she is one of the most exciting young actresses in Hollywood at the moment.

Anyway, was pretty much frothing at the mouth to see the teaser trailer – which debuted at New York Comic-Con this weekend – and it has finally (okay, I know it was only a two-day wait, but still) finally appeared online. With a pretty awesome teaser poster.

Behold – trailer and poster below:

Carrie Teaser Poster

That’s pretty much it for today. Will be back sometime this week with a brief catch-up on my trip to the amazing Mount Grace Country Hotel and Spa.

Cinema Etiquette

Cinema

Cinema by M4tik (flickr.com)

After months and months of waiting, I finally got to the press screening of The Hunger Games here in Cape Town. While the movie was absolutely freaking incredible and all I could have wanted in a big-budget, big-studio, PG-version of the books, I spent most of it trying not to shriek at the audience… other so-called film reviewers and entertainment journalists.

I was appalled at the behaviour of these people – arriving 15 minutes late (why did you bother, then?!), checking their cellphones, talking to the person sitting next to them…. WTF?! Anyway, this got me on to a topic I’m extremely passionate about (strangely) – cinema etiquette.

Going to the cinema is as close to a religious/churchy experience as I suspect I’ll ever get. It’s a sacred time for me, and I have my own set of “rituals” that I adhere to. All I ask of other people is that they don’t be a damned asshole.

And – behold! Tips on how not to be an asshole at the cinema.

Don’t talk through the movie

One of my favourite lines from Firefly – and from television of all time, I guess – comes in Our Mrs Reynolds. Shepherd Book tells Mal that if he takes advantage of his new “wife” “Saffron”, that Mal will “burn in a very special level of hell. A level they reserve for child molesters and people who talk at the theater”.

That’s pretty much my level of feeling for people who natter through a film. Damnit, if you want to chat – why are you watching a movie? And then, if you want to discuss the film while it’s playing (I hope that’s what you’re talking about, by the way) then just download the thing off The Pirate Bay or something and chat at home in front of your laptop where you can stop/start/rewind to your heart’s content. If you must talk, then whisper. Sparingly.

Don’t fiddle with your phone

This includes but is not limited to: Checking the time, making or taking a phone call, responding to or composing a text message or – and yes, I’ve actually seen this – playing Angry Birds.

See, while texting itself is relatively quiet, and I’m sure that you can turn the volume down on Angry Birds, it’s that damned light off your super-phone that  can also serve as the Bat Signal that is the problem. There is nothing more irritating than somebody’s flashing phone light in front of you in a darkened cinema.

And if common decency isn’t enough to put you off texting in the cinema, maybe this will: We can, and I will, read what you’re texting.

If you must take the call, leave the cinema as quickly as possible. Don’t sit in your seat and chat away. Seriously.

Arrive on time

Look, I get it. Sometimes traffic sucks. Or the line to get your popcorn and slushie is quite long. Or you need the bathroom and there’s only one working stall. It happens. In fact, it happened to me – twenty minutes ago, when I arrived in time to catch all the trailers and the start of the movie! (I know it must be a weird thought, but filmmakers actually do have a “beginning” of the film). You don’t have to be seated for the trailers – that’s a personal choice – but you had better be sitting as the movie starts. It’s disruptive for the rest of us – especially if you arrive 15 minutes late as we’re getting into it.

Sit in the seats assigned to you

Those little numbers on your ticket aren’t just for decoration, you know. In fact, there’s actually a meaning to them! Okay, I know this might be hard to follow so I’m going to go slowly. Right. Look at your ticket. See how there is the letter “C” and then the numbers “4-5”? Right, you see – no, move your thumb – there! Right, now look down the aisle. See, along the aisle, there are those little letters? “A, B, C, D…?” Right, go to “C”. Now, if you look on the seats themselves there are little numbers? “1, 2, 3, 4” – see, that’s you! and “5”! That’s you too!” Now, sit. Stay. Don’t move.

If the cinema has unreserved seating, it’s relatively empty, and there’s a blonde woman in glasses sitting near the end of the row, don’t sit next to her. That’s me. I will growl at you. There’s plenty of space, why do you need to sit on my lap? If the cinema fills up, I’ll happily sit next to somebody else – but only then.

Keep noisy eating to a minimum

Look, I love my movie sweets. The tip is simple – open the packet before the movie starts (see why it can be helpful to arrive on time?!) or wait for a super noisy part to open it. Hint: While the main character’s love interest is dying is not an appropriate time.

Think smart with your luggage

I am known for my giant handbags. It’s a thing. They need to be able to cart books around, you see. So if I can keep my luggage under control, so can you. Either keep your bag on your lap, on the empty seat next to you or under your chair. Not in the aisle, not in front of your feet where other cinemagoers can trip over it when they need the bathroom or have to take an (urgent) call.

Extra bonus tips, suggestions and pointers!

Kick my seat and die.
If your child can’t sit through an episode of Barney, they’re not going to make it through two-and-a-half hours of film. Don’t bring her. (Oh, and if your child is so young that the noise and lights in the cinema make her cry and you have to leave to change her nappy, then you have Failed at Parenting. Another true story)
Don’t sing. I’m very pleased you know the song. Just don’t sing.
Oh, and try and refrain from throwing food around the cinema. That’s just common.

Haul out the holy water for the first Afrikaans vampire film…

You know, I thought we’d have been done with one vampire movie out of South Africa in a 12-month cycle. (Everybody remember Eternity?) But no, there’s another local vampire film – and this one’s in Afrikaans.*

From the two teaser clips posted so far, this film actually looks like it could be pretty cool. You know, in a completely over-the-top, insane kinda way. Lots of blood and gore (I’m unlikely to look at Francois van Coke in the same way ever again). Plus, Rob van Vuuren in a vampire film? Genius. I’m sold. It’s supposed to be pretty rock ‘n roll, really gritty… Bring it on. (Just for the love of all things, please sub-edit your subtitles so that there aren’t glaring spelling/grammar errors like another South African movie I watched recently…!)

Anyway, the coolest thing about Bloedsuiers (that’s the working title, apparently) is not its storyline or its cast. What interests me the most is its plan for funding… They’re working on an idea gaining momentum in the US and Europe called “crowd funding”. And yes, it’s actually exactly what it sounds like.

Basically, fans (potential fans?) pledge an amount to donate to production. In the case of Bloedsuiers it can be as little as R30 (that’s a little over $4 for my American readers) – although I’m sure the larger the better. Obviously the producers aren’t relying only on the generosity of the fans (and with the Budget announced today, I’m feeling distinctly ungenerous and financially very jumpy) and will also be seeking private funding – but it’s a cool concept. Fans who donate will be rewarded with exclusive content and merchandise opportunities – so there’s more incentive than just being able to claim that you helped finance a movie. (And I would totally claim that).

* Anybody else waiting for an SABC version of True Blood? You know that’s next on the list, right?

Reviewed: 127 Hours

127 Hours

James Franco as Aron Ralston in "127 Hours".

Originally published on iafrica.com

Much like 2003’s Phone Booth, the strength in 127 Hours lies in the intensity of its star’s performance. And James Franco’s performance will go down as one of the greatest of a generation.

The film – helmed by Oscar-winning Slumdog Millionaire director Danny Boyle – is based on the remarkable true story of Aron Ralston, an avid hiker and mountain climber who becomes trapped underneath a boulder while on a solo hiking expedition in a Utah canyon. To free himself, he amputates his arm using a blunt Leatherman knockoff, still managing to hike around eight miles before he’s finally rescued.

The beauty of this film is not in the plot. Ralston’s story is well-known and the film itself is based on Ralston’s autobiography Between a Rock and a Hard Place. But Boyle manages to take an almost legendary story and film it in such a way that even though you know he’s going to be okay, your heart is in your mouth for most of the film. It’s terrifying, awe-inspiring and a truly intense experience.

Even though the majority of 127 Hours is filmed in a cramped, dusty space, Boyle manages to keep the film moving at a rollicking pace. The movie starts imbued with a sense of pure joy – Ralston loves what he does, and he’s such a frequent hiker he doesn’t even bother to tell anybody where he’s going anymore. He runs into two female hikers and leads them on a side-trip to a massive waterhole, before jogging back over the mountains on his way. “I don’t think we figured in his day at all,” they quip – and it’s true.

Continue reading