It’s my blog and I’ll post about Jennifer Lawrence at the Oscars if I want to

So Jennifer Lawrence won the Oscars.

She also won an Oscar (for Best Actress in a Leading Role for Silver Linings Playbook – called it!) but she also won the whole damn show. And the Internet. Seriously.

The entire world has gone Jennifer Lawrence crazy – myself included. I have had a long (but very inspiring day) so I’m going to just post pretty pictures, videos and GIFs of Jennifer Lawrence. You’re welcome. (And I’m welcome too).

On the red carpet:

Jennifer-Lawrence-Oscars

“Is there food here?” 
starving

food

Oh my god, it’s Bradley Cooper!

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At the ceremony:

Sexy. I wish I was this confident.

Jennifer-Lawrence-Oscars-Faces

Her name gets called:

Jennifer-Lawrence-Winning-Oscar

And then it’s everyone’s worst nightmare… Jennifer Lawrence falls at the Oscars.

fall

But she managed to shake it off where most of us probably would have curled under our chairs and died…

Jennifer-Lawrence-Oscars-GIF-Trip

At her winners’ press conference:

As she walked up onto the podium, a photographer apparently told her to watch her step…

Jennifer-Lawrence-Middle-Finger-Oscars

Then…

onpurpose

When asked what went through her mind…

eff

And I love this… This would be me!

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In fact, her whole damn presser is worth the watch if you have a few minutes to spare. She is so cool.

At the parties:

Gets ambushed by her family:

Jack Nicholson crashes her interview (I love her “Oh my god!”)

In fact, the Oh my god is worth a GIF of its own. And with that, good night.

jenniferjack2

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Racing to Oscar – Part 2

Since my last prediction, we’ve had the release of this year’s Oscar nominees… Which put a slight dent in my “The Adventures of Tintin for best animated feature” theory. We’ve also had the Directors Guild of America Awards… And fun fact: In the last decade, every single person to win the DGA Award for feature films goes on to win the best director Oscar. And since 1948, only six DGA Award winners have failed to nab the best director prize.

I think that the DGA Awards have put the final nail in the coffin for Scorsese’s Hugo (Which I’ll only get to see this coming Friday, unfortunately) and have largely cleared the path for The Artist. The Screen Actors Guild Awards are tonight, and that should give us a slightly clearer picture of who should win in the acting categories.

My predictions have largely stayed the same since the nominees were announced… But we’ll see.

Week 2 – 29 January

Best Picture: The Artist
Best Actor: Jean Dujardin – The Artist
Best Actress: Meryl Streep – The Iron Lady 
Best Supporting Actor: Christopher Plummer – Beginners
Best Supporting Actress: Octavia Spencer – The Help (No way in hell Melissa McCarthy will get this, I’m afraid.)
Best Director: Michel Hazanavicius – The Artist (DGA Award won’t hurt)
Best Animated Feature: Rango (If Puss or Kung Fu Panda wins this, I swear…)

Reaction to the 2012 Oscar nominations

Okay, so I feel a little like the “Leave Britney alone kid” but still…

No Best Animated Feature Nomination for The Adventures of Tintin?! Are you serious?!

Right, now that’s out of my system… (Okay, it really isn’t)

The 2012 Academy Awards nominations (you can see the full list here) were announced yesterday, but when I got home I discovered that my telephone line was broken and I couldn’t access the internet. (That’s my excuse for being slow on the uptake).

So, Hugo managed to rake in 11 nominations – including Best Picture and Best Director for Martin Scorsese. I would love to tell you that I had seen the film and could provide an educated opinion, but my press screening was cancelled at the very, very last minute (as in, while I was standing at the cinema).

Anyway… Here are my thoughts, scribbled down as I go down the list of nominees.

Best Picture

I’m still backing The Artist. But Hugo is making me doubt myself. Will wait for DGA and WGA Awards first though. Also, I loved The Help but I didn’t think it would be Best Picture material. Best Actresses, heck yes. I would have liked to see a nod for Drive.

Best Actor

Quite stoked with the Gary Oldman nomination for Tinker Tailor Soldier Spy. Shame (see what I did there?) about the lack of Michael Fassbender though. He does pretty up the red carpet. It’s hands-down Jean Dujardin vs. George Clooney… Still think Jean will take this one.

Best Actress

They couldn’t have picked a better group of women if they had tried. Very pleased with Rooney Mara’s nomination for The Girl With the Dragon Tattoo. She was outstanding. Still reckon Meryl Streep will nab it.

Best Supporting Actor and Actress

Um, Jonah Hill? Whaaaat? To be fair, I haven’t actually seen Moneyball yet, but he didn’t look any different from the trailer. Shall we start engraving Christopher Plummer’s name on the Best Supporting Actor trophy already? Also, glad to see a nomination for Melissa McCarthy for Bridesmaids. I’d love to see Octavia Spencer get the award, she was delicious in The Help.

Best Director

Pretty predictable fare here. Truly thought the Academy had forgotten all about Tree of Life, though.

Best Animated Feature

Okay, Puss in Boots over The Adventures of Tintin? Did Puss buy votes? (Or, in keeping with the theme of the film… Steal them?) It was good, not great. Although I do understand that the Americans didn’t get Tintin at all, I thought that the motion capture animation was beyond outstanding. Fine – I’ll move on to backing my second-favourite animated film of the year, Rango.

Miscellaneous thoughts

Yay for the nod for The Muppets song Man or Muppet. It is such a great moment in the film. Also encouraging to see a Best Original Screenplay nod for Bridesmaids – seems comedy may be growing on the Academy after all.

Racing to Oscar

It’s always fun trying to predict who will take the Academy Awards when you haven’t seen most of the films.

Not for lack of trying, of course. It’s just that movies get released a little later here in South Africa than they do everywhere else. For example, The Muppets only releases this Friday. That is, 27 January. We’ve still not got The Artist. Or Hugo. I’ve seen The Descendants and My Week With Marilyn, largely because I’m a journalist. But you get the picture. Most of it is tracking the trends through the rest of the Awards Season. Golden Globes? Surprisingly inaccurate in terms of predicting the Oscars… At least recently.

So we take a look at the Other Awards. The Guild Awards (Producers, Directors and Writers – most of them double up as Oscar voters) and the loose ends – the Critics Choice, the SAG Awards… So far, I can tell you, that nobody has come close to touching The Artist.

But in the interests of fun, I’m going to make Oscar predictions each week before the Oscars. My picks may change as the weeks go by, depending on how the other ceremonies go. Also, I suppose, on the actual nominations – which are being announced on 24 January (by one of my current big-screen crushes, Jennifer Lawrence).

I will only be picking in the “major” categories – Picture, Actor, Actress, Supporting Actor and Actress, Director and, for fun, Animated Feature.

* Disclaimer: These are early days, and I still haven’t seen half of the films.  

Week 1 – 22 January

Best Picture: The Artist
Best Actor: Jean Dujardin – The Artist
Best Actress: Meryl Streep – The Iron Lady (although I would love for Michelle Williams to get this for My Week With Marilyn, she was breath-taking)
Best Supporting Actor: Christopher Plummer – Beginners
Best Supporting Actress: Octavia Spencer – The Help
Best Director: Michel Hazanavicius – The Artist (Just beating Martin Scorsese for Hugo)
Best Animated Feature: The Adventures of Tintin

Ah, that post-Oscar glow… Killed by Charlie Sheen

Charlie Sheen

Charlie Sheen in 'Two and a Half Men'

Whew. What a ride.

Easily the busiest day of my entire year is Oscars day – the morning after the show is broadcast in the United States. This year it involved me sleepwalking into the office at around 5.45am and trying to keep up with all the announcements.

Hardly a very surprising selection of winners – the Academy is nothing if not predictable – and my prediction rate of the major categories (best actor and actress, best supporting actor and actress, best picture and best directing) stands at 100 percent in the two ceremonies I’ve covered for work.

So now that the Oscars have finally glittered away into the distance, we’re left with nothing less than the spectacular insanity of Charlie Sheen.

A colleague of mine sent this gem of an interview from ABC’s Good Morning America. In this clip, Charlie Sheen claims that he is not bipolar, but “bi-winning” and talking about how much drugs he took (“I was banging seven-gram rocks”) and how he won’t die (“Dying’s for fools”). Full clip after the jump… Continue reading

Oscar nominees… In LEGO!

I saw this a couple weeks back and I simply can’t resist posting… It’s the Academy Award best picture nominees, built out of Lego!

The artist, Alex Eylar, has a super-cool flickr page where you can trawl through some more of the creations. In no particular order (other than alphabetical), the best picture nominees are…

127 Hours

127 Hours

Black Swan

Black Swan

Inception

Inception

More after the jump…

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Reviewed: ‘Black Swan’

Black Swan movie posterOriginally published on iafrica.com.

Natalie Portman delivers the stand-out female performance of 2010 in the breathtaking psychological thriller Black Swan – a film which is at once wickedly sexy and deeply disturbing.

Directed by Darren Aronofsky, Black Swan is set against the backdrop of a prestigious New York dance company and their performance of the classic ballet Swan Lake. It is, as Vincent Cassell’s character says, a ballet that has been “done to death … but not like this”. Not like this indeed. It is the intention of Cassell’s character – sexy, ruthless dance director Thomas – to strip the ballet and make it more visceral, and it’s something that Aronofsky parallels in his direction of the film.

Black Swan tells the story of Nina Sayers, an immensely fragile ballerina with only one goal – absolute perfection. She spends hours alone in the studio and in front of the mirror at home, refining her technique. The only world she knows outside of the studio is the cramped apartment she shares with her proud and overprotective mother, played by Barbara Hershey. When Thomas announces that Nina will be the ballet’s Swan Queen – and will dance the demanding dual role of the Black and White Swans – we watch her already fragile state of mind begin to fracture further. She is constantly reminded that she is too innocent, too uptight to successfully dance the Black Swan – despite Thomas’ attempts to seduce her and his encouragement that she explores her as yet untapped sexuality. The presence of the free-spirited and wildly sexy Lily (Mila Kunis in a charged performance) only pushes Nina further over the edge, as she convinces herself that Lily is out to steal her role.

Superbly cast, intensely filmed and set to an exquisite score by Clint Mansell, Aronofsky has pulled together a powerhouse of talent to produce Black Swan. The outstanding supporting performances by Kunis, Cassell and Hershey and a brief but terrifyingly memorable appearance by Winona Ryder make this one of the best cast films of 2010. Aronofsky and his cinematographer, Matthew Libatique – who worked with Aronofsky on Requiem for a Dream and The Fountain – combine uncomfortable close-ups, shaky hand-held shots and epic wide-screen shots to create a charged atmosphere that doesn’t relax for even a frame.

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