Eminem ‘Space Bound’ in suicide video

For the most part – I love Eminem. It’s a conundrum, see, because I completely abhor his attitude to women and gays in general.

But I also find him to be a lyrical genius with a mastery of the language that is unparallelled in the world of hip hop. He’s a powerful voice and a powerful actor – and he also has a sense of drama that I find intoxicating.

Anyway, my fan-girl-ness aside… His new video for Space Bound is no exception to the rule. Much like with Love the Way You Lie (which is also directed by Joseph Khan) there’s a strong cinematic feel to the video. Violence, too, obviously – this is Eminem, after all, and the song is another cautionary tale of the line between love and domestic abuse.

The video starts with Eminem hitching a ride from the ridiculously beautiful former porn star Sasha Grey. In the car, Eminem splits into two versions of himself – a calmer one and an aggressive one (quite possibly a throw-back to his famous Slim Shady persona).

This continues through a scene in a diner – where Eminem check the lovely Sasha’s phone and discovers that she is, in fact, two-timing him – to a room where he attempts to choke Sasha to death, before she disappears in front of his eyes and he puts a gun to his chin. The entire story then plays itself backwards to show Em climbing into the car again.

Take what you will from it – he dreamed it, it’s a hallucination, it’s a cautionary tale, it all actually happened – it’s a powerful, powerful video.

Unsurprisingly, the watchdogs were up in arms – with anti-violence group Mothers Against Violence providing my favourite soundbyte: “Children are influenced by the things they see,” the group said. “If we feed violence, it becomes strong. Like an addiction.”

“It’s all about the money with these videos. Eminem isn’t thinking about the families affected. It’s selfish — it comes to a point when selfishness becomes evil.”

It’s shot largely in pallettes of dark hues and greys with some bright pops of colour – the neon sign, the condiments on the diner table, the door – and obviously the light that Em raps against . Khan uses intense close-ups – particularly of the actors’ faces and upper bodies – much as he did with Love the Way You Lie, which produces a sense of claustrophobia and that inescapable sense of being in-your-face that Eminem trades on. It’s gritty and intense – a great piece of directing.

Well, watch it below and see for yourself. I think it’s amazing. And that’s my Entertainment Ed voice talking, not my Eminem fan-girl voice.

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Coldplay – ‘Every Teardrop is a Waterfall’

It has been a spectacularly crappy day today – Fridays always are, and they’re also my busiest workdays. I’ve had the kind of day where I haven’t been able to publish my main feature for the day because the system won’t allow it. It’s been the kind of day where I’ve sent emails to the wrong people, had to rush articles and skip some things altogether.

On the personal side, it’s been proven that I’m a completely and total lunatic, caring about things that allegedly shouldn’t be my problem anymore. I don’t want to care, but I can’t help it.

Anyway, in the midst of all of this awfulness comes Coldplay’s new single – Every Teardrop is a Waterfall. I find Coldplay extremely comforting – and so I share this with you in the hopes that it brings you a hint of joy.

Miley Cyrus covers Nirvana. Seriously.

Just a little filler before you get a nice long post later today or early tomorrow. It’s golden.

Miley Cyrus covers Nirvana’s Smells Like Teen Spirit during a recent show in Ecuador.

Props to her for trying. She has a great, gravelly voice that works… up to a point. She’s no Kurt Cobain, but she didn’t completely bomb out.

Also, it’s great that she’s actually got a decent taste in music. You get +5 appreciation points, Miley. But -8 for the glittery pants.

Seriously. But it’s still Miley. Doing Nirvana. My mind exploded.

Lady Gaga’s Judas controversy

You didn’t really think I’d let this one slip through the cracks, did you?

Lady Gaga – never one to do something quietly – has released the audio for her new single Judas. Now, with a title like that you’re not going to do anything but offend the Christian community, really. So I’m pretty sure Gaga saw this one coming. If you want the background to the whole story, you can click here – but basically it boils down to this: Gaga sings about being in love with Judas. You know, the guy who betrayed Jesus to the authorities for 30 pieces of silver.

The president of the Catholic League for Religious and Civil Rights threw a small hissy fit on the matter, accusing her of “trying to rip off Christian idolatry to shore up her talentless, mundane and boring performances”.

“This is a stunt… Lady Gaga tries to continue to shock Catholics and Christians in general: she dresses as a nun… she swallows the rosary. She has now morphed into a caricature of herself”.

Let’s be honest – of course Gaga is trying to be controversial. It gets her sales. And attention. That’s how she rolls. Yes, I’m starting to feel that she’s trying way, way too hard to be “out there” – but it’s better than being vanilla, right?  And there is no better way of stirring up controversy than poking a stick at the Christian community and watching the feathers fly.

But surely, surely these people should realise that they’re being baited? When she dresses like a nun, or swallows a rosary, or covers herself in blood or sings about being in love with Judas, Gaga is trying to get a rise out of you.

And that’s okay. Her soul does not need to be “saved”.

She’s a musician, and much more of an artist than other mass-produced pop acts. If she wants to express herself in a particular way, then let her. Just as the person on the street is allowed to preach in favour of Christianity, she is allowed to use it to as a metaphor.

All of the religious rubbish aside – I’m not particularly impressed with this track. It’s a thumping dance track and is going to be a massive, massive club hit – it’s a powerful track. But it also sounds a hell of a lot like Bad Romance – and still has quite a solid early Madonna feel. But, much like every other song she’s ever written, it’s probably going to grow on me in a massive way.

I just can’t wait to see the video – she’s apparently starring as Mary Magdalene. That’s going to go down very well.

Britney & Rihanna team up on ‘S&M’

So Rihanna and Britney Spears had the Twitterverse in an absolute frenzy after tweeting that they were collaborating on a track.

Rihanna first tweeted: “I got a #SEXY collabo comin your way supa dupa soon!!!! OH YEAH!!! By popular demand… Its BRITNEY BITCH!!!!”

Britney responded with, “You’re such a tease! I like it, like it… You think they’re ready Ri Ri?”

The pair teamed up on a remix of Rihanna’s S&M. Listen to it below, and I’ll have my five cents after the jump…

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Lady Gaga’s “Born This Way”

The music world has been talking about this for months – from the moment she first belted out a few lyrics at the 2010 MTV Video Music Awards to her “New Year’s announcement on Twitter”… Let’s be honest, nobody knows how to hype up her fanbase like Lady Gaga.

And now it’s finally here – the first single off her highly, highly anticipated album of the same name. It’s Born This Way.

Listen to it below, then I’ll have my ten cents.

The danger of over-hyping a song is obvious. When it drops, it’s going to be scrutinised to the absolute last. And it’s happened here with Gaga. Born This Way will undoubtedly be one of the big club anthems of 2011 – but real-life music critics (a) Not the drunken crowd at a bar at 3am or b) myself) are divided.

On first listen, it seemed a little average to me – well, average for Gaga but miles and miles above the over-produced Britney single Hold It Against Me – but on a second listen, the song clicked. Yes, it could come across as a little preachy but my god, is she sincere about what she’s singing. She truly writes from the heart, and even though they may get lost in the thumping dance beats, the lyrics are hands-down the strong point of the single.

And of course, the inevitable Madonna comparisons. It draws inspiration from the spoken-word segments of Vogue, sounds very much like Express Yourself and even has a bit of a Like a Prayer mixed in at times. And in an artist who is constantly trying to outdo the crowd and prove she’s wildly original, it seems to be a bit of a slip. Gaga and her team definitely knew what they were doing – Gaga repeatedly refers to Madonna as one of her icons, and she’s no idiot – she would have seen the similarities. So no, I don’t think it’s a “rip off”, no matter how much the Twitter-sphere got their panties in a bunch. It’s a tribute in the purest form, and entrenches Gaga as the Madonna of this generation.

And now I’m dying to see the actual video – because I reckon we’re going to be blown out of the water.